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—all
because I made a big mistake when my husband Cal lit out on us. I should
never have gone to the Welfare Office.
Miss Pendleton pretended to be helpful, but it didn’t take long
to figure out that she’d take Dell away from me in a heartbeat if she
knew where we’re living. But she
don’t yet.
And if I hadn’t lied about being twenty-one, she’d
probably take me, too. I’m
eighteen almost nineteen in a couple of weeks, July 4th. Since Miss Pendleton doesn’t know I
was born in Thank
goodness Dell’s smart for her age and calculates exactly what she can
or can’t say to strangers who get too nosy. And she has a way of making her brown eyes
wide and innocent behind her purple-framed glasses (they only have one arm,
so they sit a little crooked) and sashays her vanilla blonde hair. She lisps a little, which makes people
smile and pat her on the head. But I
tell her she can’t get by on looks and lisps forever. She has to learn to be self-reliant in this
doggy dog world, that’s for damn sure. The problem is nobody ever
leaves you alone. And that goes double for the Welfare. So
we’re hiding. To get to where we
stay at night, you’d have to drive off a two-lane tar road, past the
Lawson family cemetery where you can barely read the headstones from the
1800s and they don’t mow the grass anymore, past miles of scrub pine no
higher than a go-cart, and then way up the fire trail to a little clearing. The ground is sandy, covered with pine
needles, and there’s no really tall trees so
we can see if anyone might be coming…but no one does. We’re tucked in safe and sound. It’s
no big deal living in a car. Lots of
folks do it back home where I’m from. Strummin’ the
Banjo Moon
relates—in her own words—the obstacle-filled journey of an Hispanic-American girl, Juanna
Mae DelRio, from age 18 to 47. It is a picaresque
journey, told in three episodes. The
reader first meets Juanna in 1981 when she and her
four-year old daughter are living in her car in the woods, abandoned by her
husband and bereft of a home. As she
ages, her character, her perceptions, and her language matures, although she
is driven throughout her life to find “home.” Banjo Moon, cont’d
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